Friday, December 20, 2019

Ray Charles Addiction - 827 Words

Ray Charles was suffering from substance abuse disorder. Substance disorder is defined as a complex behavioral disorder characterized by preoccupation with obtaining alcohol or other drugs (AOD) and a narrowing of the behavioral repertoire towards excessive consumption and loss of control over consumption. It is usually also accompanied by the development of tolerance and withdrawal and impairment in social and occupational functioning. Ray Charles continued substance abuse caused fights at home, problems with the law, and also problems with music performances, and holding record labels. Ray Charles Would keep his drug habit away from home as much as he could but he would constantly fight with his wife about his drug use increasing and†¦show more content†¦Therefore, the counselor needs to be someone that has a personality and willing to listen to Ray and his stories. The therapist needs to approach Ray as a human and not a client. This will let Ray open up to him/her and will allow for Ray to get deeper and deeper into his reasons of his drug addiction. The first treatment that the therapist should enforce on Ray is inpatient treatment. Inpatient treatment will allow him to be able to withdraw from the drug and not have the ability to relapse quickly. Performing on the road was his introduction to his drug addiction; therefore, he needed a break from the road to fully recover. While in inpatient treatment he will have one-on-one counseling as well as group counseling. During his one-on-one counseling the therapist will include role playing. Ray Charles should role play talking to his mom and expressing his feelings that he couldn’t express at the age 7 when his brother died. Ray carried the blame of his brother dying from childhood to his adulthood without telling anyone how he felt at the time of the event. Therefore, the role-playing will let out all the hurt, blame, and uneasiness that were felt at that time. The therapist will act as the mother and Ray will be allowed to dig deep in his inner feelings so that there will n ot be any need to long for drugs. After this measure has been applied the therapist will then focus on the future of Ray Charles life. InShow MoreRelatedEssay about Ray Charles Robinson1095 Words   |  5 PagesRay Charles Robinson Ray Charles Robinson, more commonly known as Ray Charles (to avoid confusion with boxer Sugar Ray Robinson), was born in the southern city of Albany, GA on September 23, 1930. He was a prolific, multi-talented singer, pianist, bandleader, and composer who, when on stage captivated his audience not only by his musical ability, but also because he was a blind, African American man. 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Thursday, December 12, 2019

Neorealism in The Bicycle Thie Essay Example For Students

Neorealism in The Bicycle Thie Essay Another fine example of neorealism is The Bicycle Thief (1948), written by Cesare Zavattini and directed by Vittorio De Sica. The narrative of this film unfolds in post-W.W.II times. The film is a portrait of the post-war Italian disadvantaged class (the majority) in their search for self-respect. It is a time of struggle for the Italian people, amplified by a shortage of employment and lack of social services.In the first scenes of the film, these conditions are evident as Antonio Ricci (Lamberto Maggiorami) meets his spouse Maria (Lianalla Carell) on his way back home. We see the men arguing at the employment office as the women argue about the shortage of water. Although the directors pessimism drives the plot, it is ultimately the clash with human optimism which gives this film affective power. Antonios new job can bring his family new hopes and happiness, which are drastically destroyed when his bicycle is stolen. The banal circumstances are brought to life when it is realized that a modest bicycle is such an important element in determining the future survival of the Ricci family. Human optimism is there, beginning with Antonios excitement when he gets his bike from the pawn shop, and the next morning when the family joyfully interacts before setting out for work. These scenes contain the promises that a modest job can bring and the dignity and pride of being able to once more function within Italian society. The embodiment of this self-respect is shown when Antonio and his son Bruno (Enzo Staicca) both smile at Maria as they leave home. Self-respect and all the related values such as pride, dignity, modesty and honor are very important in Italian society. Witness Bruno, whom at a young age, works full time at a gas station. Brunos contributions to the Ricci family make him a man and strip him of his innocence. Being able to work is an optimistic endeavor which Bruno wholeheartedly engages in. The tragedy is not Antonios previous two years of unemployment- it is that he has no future in his new job, due to the theft of his bike. Antonio must face this tragedy with no public support other than his friend Baiocco. Baioccos willingness to help with his friends and his optimistic response to Maria constitute another case of human optimism. This form of optimism pervades the film with Antonios perseverance and determination to find the stolen bike. These events stimulate the viewers mind to think of solutions related to Antonios situation, perhaps to try to solve problems of post-war Italy such as crime, famine, health is sues, living condition, etc.; ills that have affected society then and now around the globe. Antonios frustration of missing the thief for a second time fuels the hopelessness in continuing his search. He attempts to forget his predicament by treating himself and his son to a meal and a liter of wine. The restaurant scene reflects the Italian Sunday tradition, as the more affluent families went out to treat themselves to a restaurant and enjoyed the Sabbath. Here we see the contrast, between Antonio and Bruno and the rest of the restaurant clientele. This signifies the last meal before a bleak Monday, where once again Antonio will find himself without a bike and without a job. Still, optimism is present as they discuss the potential income his work can bring. Antonios hopes are exhausted. Pushed by desperation and a bit of wine, he attempts to steal a bike. This foolish act places Antonio in an even more humiliating situation, as he is caught in the act and placed under citizen arrest. This scene is another display of human optimism, when the owner of the bike, seeing little Brunos sad expression, forgives Antonio and allows him to go free. The ultimate message of human optimism is Bruno. He is striking, but not in his dialogue as much in his facial expressions. Brunos love for his family and his acceptance of his father after witnessing the attempted robbery are exemplary. The character of Bruno played a critical role in this film, signifying the purity of love and understanding in times of trial. The final scene shows Antonio and Bruno in immense emotional pain, walking amongst an indifferent stadium crowd. But the scene, although certainly an unhappy one, also portrays optimism- in the form of Brunos acceptance and support for his fath er: Bruno walks beside his father holding his hand, as his father cries tears of grief. In the end, Love is human optimism.